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Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
"The Body that Beats": Review of Harald Krebs, Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann
Harald Krebs Robert Schumann metrical dissonance rhythm and meter
2010/3/29
[0.1] In Schumann's Kreisleriana, I actually hear no note, no theme, no contour, no grammar, no meaning, nothing which would permit me to reconstruct an intelligible structure of the work. No, what I ...
Review of Aniruddh D. Patel, Music, Language, and the Brain
cognition music psychology linguistics
2010/3/24
[1] As the story goes, theorist Fred Lerdahl and Ray Jackendoff wrote most of their classic A Generative Theory of Tonal Music (Lerdahl and Jackendoff 1983) over Jackendoff’s kitchen table in Boston w...
Review of Henry Martin, Counterpoint: A Species Approach Based on Schenker’s “Counterpoint”
counterpoint species Schenker
2010/3/24
[1] There is a growing number of textbook choices for instructors of sixteenth-century counterpoint courses. This growth is good because it allows for several different approaches, depending on what t...
Review of Michael Cherlin, Schoenberg’s Musical Imagination
Michael Cherlin Schoenberg’s Musical Imagination
2010/3/24
[1] Michael Cherlin’s new book fulfills two important functions admirably: it pulls together thirty years of research and analysis regarding Schoenberg’s music and writings from all periods of the com...
Review of Edward D. Latham, Tonality as Drama: Closure and Interruption in Four Twentieth-Century American Operas
Edward D. Latham Tonality Drama
2010/3/24
[1] Edward D. Latham’s Tonality as Drama presents an interdisciplinary methodology for opera analysis that fuses the dramatic theories of Konstantin Stanislavsky with the musical theories of Heinrich ...
Review of Ethan Haimo, Schoenberg’s Transformation of Musical Language
Schoenberg pitch-class set theory atonal music
2010/3/24
[1] Ethan Haimo’s recent study of Schoenberg’s music from the years 1899–1909 doesn’t present a tidy survey of the works from that era, but instead presents the reader with a critical thesis concernin...
A Review of Current Practice in Group Music Therapy Improvisations
Current Practice Group Music Therapy
2008/11/5
The information contained in this article has been derived from a series of interviews conducted by the author with selected specialists in music therapy group improvisation. Although the music ther...
The Use of Music in Healthcare Contexts: A Select Review of Writings From the 1890s to the 1940s[1]
Music therapy history music in healthcare music in hospitals
2008/11/3
Playing live music with people who are ill to promote optimal states of health and well being is a contemporary practice which has origins as far back as the written historical record. This paper exam...
Review of Christopher Alan Reynolds, Motives for Allusion: Context and Content in Nineteenth-Century Music
Reynolds Easley music allusion motives nineteenth-century borrowing quotation
2010/3/24
[1] Christopher Alan Reynolds’s Motives for Allusion has received wide attention from reviewers who often seem to be as anxious to recount their own preoccupations with the topic of musical allusion a...
Review of Peter H. Smith, Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet
Brahms expression meaning musical structure
2010/3/24
[1] Despite its being published as part of a series devoted to musical meaning and interpretation, Peter Smith’s Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Q...
Review of Ralph Turek, Theory for Today’s Musician
textbook review Ralph Turek pedagogy popular music music industry music fundamentals
2010/3/25
[1] Ralph Turek has offered an impressive textbook that could change the way we teach music theory. His Theory for Today’s Musician confronts several common problems in today’s theory curricula and ma...
Review of Stravinsky's Histoire du soldat: A Facsimile of the Sketches, edited by Maureen A. Carr
Stravinsky Histoire du soldat Carr facsimile sketches Smyth
2010/3/25
[1] The appearance of a facsimile edition of Stravinsky's sketches for Histoire du soldat is cause for rejoicing. Editor Maureen Carr is to be congratulated for obtaining permission to publish sketche...
Review of David Yearsley, Bach and the Meanings of Counterpoint
Bach counterpoint musicology 18th-c. culture
2010/3/25
[1] About thirty years ago I attended a lecture in which Bach's experience as a Latin teacher was adduced to show that he would have been aware of rhetorical strategies and used them in his music. I w...
Review of Alexander Rehding, Hugo Riemann and the Birth of Modern Musical Thought
Alexander Rehding Hugo Riemann Modern Musical Thought
2010/3/25
[1] The transformation of Hugo Riemann from obsolete pedant to influential thinker has been one of the most remarkable developments in North American music theory within the past twenty years. Those w...