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In this paper, we examine the concept of construction insofar as it applies to, and can be taken to determine, the production of the artefact in the art and design research process. These modes of con...
The work of Post and Huron (2009) is an example of how the received wisdom in musicology can be fruitfully challenged by simple empirical procedures – in this case demonstrating a counterintuitive, ...
Two studies are reported that examine the relationship between musical mode and tempo in Western classical music. In the first study, modes were determined for 331 works bearing the tempo markings l...
《民族音乐学理论与方法》(一) 时间:2007-11-21;地点:E研究院512室 授课教师:曹本冶教授 主讲报告人:文君 Nettl, Bruno. 1983. The Study of Ethnomusicology: Twenty-Nine Issues and Concepts. Urbana: University of Illinois Press. Chapters 7 “I...
his commentary examines Huron and Veltman’s article from the perspective of historical musicology. The following issues are discussed: • The authors regard modes as conceptual categories of th...
A random sample of 98 Gregorian chants was used to assemble “mode profiles”—pitch-class distributions for each of eight medieval modes in the manner of Krumhansl’s and Kessler’s (1982) key profiles....
Mode versus Ficta”in context     Bent  counterpoint  ficta  Gaffurius  harmony  Josquin  Judd  ode  Obrecht  recta  Tinctoris       2010/4/21
Following my discussion of an extract from Josquin's Ave Maria,{1} Margaret Bent's subsequent Commentary{2} reiterated a criticism originally made by Cristle Collins Judd {3} that my linking of the tw...

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