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Film through the Human Visual System:Finding Patterns and Limits
Film Human Visual System Finding Patterns Limits
2015/8/13
Over time, filmmakers have changed the way they realize the structure of their films. Film structures have progressively developed to cater to patterns present in human attentional systems.Shot struct...
Coloring the Animated World:Exploring Human Color Perception and Preference through the Animated Film
Animated World Exploring Human Color Perception Preference through Animated Film
2015/8/13
Animated films present a unique set of challenges and questions to scholars examining films from a cognitive perspective. When the confines of the real world don’t exist as they do in live action film...
When Robots would really be Human Simulacra:Love and the Ethical in Spielberg’s AI and Proyas’s I,Robot
Human Simulacra Love Ethical Spielberg’s AI Proyas’s I
2009/11/24
Steven Spielberg’s AI – Artificial Intelligence (2001), and Alex Proyas’s neo-noir , I, Robot(2004), may both be understood as attempts to answer the question: ‘What conditions does
artificial intell...
Life Drawing from Ape to Human: Charles Darwin's Theories of Evolution and William Rimmer's Art Anatomy（图）
Charles Darwin's Theories of Evolution William Rimmer's Art Anatomy
2009/11/20
The impact of Darwin's theories of evolution on the visual arts of nineteenth-century America has been considered primarily in the context of American landscape painting. Citing the year 1859, which m...
Suzel Ana Reily (ed.), The Musical Human：Rethinking John Blacking’s Ethnomusicology in the Twenty-First Century (2006)
Suzel Ana Reily Ethnomusicology Musical Human
2009/10/16
Suzel Ana Reily (ed.), The Musical Human：Rethinking John Blacking’s Ethnomusicology in the Twenty-First Century (2006)。
Suzel Ana Reily (ed.), The Musical Human：Rethinking John Blacking’s Ethnomusicology in the Twenty-First Century (2006)
Suzel Ana Reily Ethnomusicology Musical Human
2009/10/16
Suzel Ana Reily (ed.), The Musical Human：Rethinking John Blacking’s Ethnomusicology in the Twenty-First Century (2006)。
Generation of Variations on Theme Music Based on Impressions of Story Scenes Considering Human's Feeling of Music and Stories
Theme Music Story Scenes Human's Feeling
2009/9/3
This paper describes a system which generates variations on theme music fitting to story scenes represented by texts and/or pictures. Inputs to the present system are original theme music and numerica...
Interaction, Reaction and Performance：The human body tracking project
Interaction Reaction Performance
2009/7/16
As a result of new technological advancements in performance practice, I am arguing that new liminal spaces exist where there is a potential for a reconfiguration of creativity and experimentatio...
Filmic Kineticism in the work of DV8 Physical Theatre, Carbone 14 and LaLaLa Human Steps
Filmic Kineticism LaLaLa Human Steps DV8 Physical Theatre
2009/7/15
In this essay I bring together costume, set design, music, movement, camera and text into a brief narrative discourse of physical and visual performativity.
Digital Dance Theatre：The Marriage of Computers, Choreography and Techno/Human Reactivity（图）
Digital Dance Theatre Human Reactivity Choreography
2009/7/15
This paper uncovers the ways in which Troika Ranch artists, by integrating emerging digital technologies as integral components of live performance, are reshaping dance theatre practices in the twenty...
Introduction
Experience from clinical work with congenitally deaf/blind children (Daelman, Nafstad, Rødbroe, Soriau and Visser 1996; Hauge & Hallan Tønsberg 1996, 1997; Nafstad 1996; Na...
Musical Instruments in Anthroposophical Music Therapy with Reference to Rudolf Steiner’s Model of the Threefold Human Being
Musical Instruments Anthroposophical Music Therapy
2008/11/5
Musical instruments have distinct purposes and functions in anthroposophical music therapy. This article describes how the anthroposophical music therapy literature has defined the use of traditional ...