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On Perceptual Information and Fitting Models to Data:A Reply to Massaro and Cohen (1993)
Perceptual Information Fitting Models Data Massaro Cohen
2015/8/13
Cutting, Bruno, Brady, and Moore (1992) investigated the properties of Massaro's (1987) fuzzy-logical model of perception (FLMP) and other models. Among their results, they found that FLMP and an addi...
Animation (Theory) as the Poematic: A Reply to the Cognitivists
Animation (Theory) the Poematic the Cognitivists
2009/11/27
This essay has two projects.The first is intrinsic to the very question of what constitutes legitimate scholarly inquiry in the study of film and of animation, marking out something ostensibly especia...
Documentation is Documentation and Theory is Theory: A Reply to Daniel Avorgbedor's Commentary "Documenting Spoken and Sung Texts of the Dagaaba of West Africa"
West Africa song dance story oral culture Dagaare Dagaaba bawaa
2010/9/26
In a response to an article that appeared in Empirical Musicology Review
(Bodomo and Mora 2007), Avorgbedor (2007) takes issue with aspects of the paper. In
our reply to Avorgbedor’s response we wil...
Reply to "Embodied Rhythm" by Bruno Repp and "Do Preferred Beat Rate and Entrainment to the Beat Have a Common Origin in Movement?" by Laurel Trainor
rhythm perception beat induction anthropometrics
2010/9/26
Two leading issues raised in commentaries on the authors’ earlier
article (2007) involved the possible roles of gender differences and the vestibular
system on test results. Those issues are discuss...
Professor Killam's article in MTO 3.2 relies on forms of rhetoric and argumentation which reiterate familiar tactics and reinscribe outmoded gender differences.
Linear Analysis--A Cure for Pitch-Class Set Analysis?: A Reply
Latham Schoenberg Forte atonality set theory
2010/4/21
Edward Latham reviewed and criticized the author's "Atonality, Analysis, and the Intentional Fallacy" (Music Theory Spectrum 18.2 [Fall 1996]: 167-99). The author replies.
Handel, the Sarabande, and Levels of Genre: A Reply to David Schulenberg
Schulenberg Willner Handel Mozart hemiola sarabande narrative semiotics
2010/4/21
In his commentary on my article, "More on Handel and the Hemiola," David Schulenberg favors a historically informed, intertextual approach to the analysis of relatively unfamiliar works, one that hing...
The Aims of Music Theory and Neurath's Boat: A Reply to Jonathan Walker and Matthew Brown
Aesthetic Statistics Music Theory Analysis Philosophy Science
2010/4/22
In this commentary, I will first clear the air of a criticism Walker has made of Brown's "Adrift on Neurath's Boat." [in MTO 2.2 (Ed.)] Secondly, I will look at what issues arise when naturalizing mus...
Conventional Harmonic Wisdom and the Scope of Schenkerian Theory: A Reply to John Rothgeb
functional harmony Riemann Schenker context Stufe Auskomponierung Ursatz
2010/4/22
The essay consists of three parts. (1) A response to John Rothgeb's objections to the modified version of Riemann's functional harmonic theory proposed in Eytan Agmon's Music Theory Spectrum article, ...
[1] Although I take issue with many points in Richard Hermann's
(1995) response to my essay on "similarity" relations, this reply
is restricted to Hermann's paragraphs 3-10, which I feel
misreprese...
Misreading Meyer: a reply to Cochrane
Cochrane Meyer conformant relationships ontology epistemology hierarchic levels closure Deleuze Narmour Eco
2010/4/22
A response to Richard J. Cochrane's article "The Phases of
Fire" which appeared in volume 1.1 of this journal. Two main aspects
of Cochrane's presentation are critiqued: (1) that in a number of
su...
Reply to Smoliar's “Mathematical Logic”
demarcationism, tritone paradox, categorical perception
2010/4/22
[0] The following reply to Smoliar's "Mathematical Logic" tries
to be as brief and constructive as feasible. I focus on three
topics introduced into the discussio...