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韩国电影异军突起，如同韩国美女一样令人瞩目。有着“大男人主义”传统的韩国在战后一直接受西方文明的影响，女性意识和女性主义在韩国有了长足发展，这方面的内容已在电影中有相当的表现。总的来说，今日韩国正在反思男尊女卑的道德传统，韩国电影已经渗透着对女性地位、女性角色、女性气质及两性关系的思考。
新时期以来，大陆的战争题材电影因为第五代的出现而发生巨大变化，民族主义诉求通过与启蒙主义理想的结合，使电影体现为一种以普遍人性论为基础的新民族国家想象。伴随对个人主体性的话语塑造，第五代的战争题材电影也完成了民族国家的新想象：基于阶级斗争原则的社会主义的民族国家认同过渡到基于资本/市场原则的“现代化”的民族国家认同，而作为新“想象的共同体”基础的普遍主义人性观迎合了资本/市场对于个人的身份要求。
对田壮壮导演的纪录片《德拉姆》的批评经常局限在艺术批评的窠臼中。从生态批评的角度看，其冷峻影像中有自然美的复魅，在沉闷影像下蕴涵了丰富多彩的绿色诗意原则，在影像符号背后有生态存在美。
IN THE NAME OF THE PUBLIC：AN ETHNOGRAPHIC APPROACH TO THE TASTES AND HABITS OF FILM AUDIENCES
Film audience research response studies ethnography cinema-going habits cinema tastes cinema genres
2009/10/19
Until very recently audience research was a neglected area in film studies. Critics tended to take for granted that they could read the minds of the implied spectator(s). However, cultural studies pav...
The Poetry Of Reversibility And The Other In The English Patient
English Patient Reversibility poetry
2009/10/16
Those who lament the disappearance of poetry in our time would do well to look for its reappearance as cinema, for example Minghella’s The English Patient. Poetry was once a place for the “irruption o...
Close-up on the Colony：Inside History, Through the Camera Lens
Colony Camera Lens Inside History
2009/10/16
This paper is a close study of Gillo Pontecorvo's The Battle of Algiers and Queimada (Burn!) and Tomas Alea's Memories of Underdevelopment -- in particular, the ways in which these films explore the c...
Genre-%!$?Ing: Harmony Korine’s Cinema Of Poetry
Harmony Korine cinematic career Cinema Of Poetry
2009/10/16
This study analyses Harmony Korine’s films according to the two distinct stages of his cinematic career thus far. The first phase incorporates his screenplays that were directed by Larry Clark – Kids ...
Tim Burton’s quasi-biopic Ed Wood (1994) features Johnny Depp as a transvestite that does not conform to any established conventions and who disrupts fundamental binarisms about basic human nature and...
Guess Who’s Off The Hook：Inventing Interracial Coupling In Global Art Cinema
Global Art Cinema bell hooks cultural atonement
2009/10/16
Black Studies scholar and critic, bell hooks, offers many insightful analyses of American life in her book Outlaw Culture. hooks levels a quick claim that Americans “have to go to films outside Americ...
Filmic Performance – Authenticity and The Apple
Filmic Performance Authenticity The Apple
2009/10/16
Performance is overtly untheorised within the debates that surround film studies even though ideas about realism are very well rehearsed. What might be some of the issues raised by the scrutiny of fil...
弗雷德里克•杰姆逊在他极富创见的论文《跨国资本主义时代的第三世界文学》中为第三世界文本提出了一种“民族寓言”理论。他宣称，民族寓言的首席地位是一种非比寻常的特点，显然为所有第三世界的文化产品所共有，与第一世界的同类文化形式有着显著的不同。杰姆逊的理论所赖以建立的基础来自他对“个人与公众、诗意与政治(或曰“弗洛伊德对马克思”)间明显分裂”的观察，这是大部分资本主义文化――即“西方现实主义...
前苏联电影，曾经是中国几代人的美好记忆。从《列宁在十月》、《夏伯阳》到《办公室里的故事》、《这里的黎明静悄悄》、《莫斯科不相信眼泪》……，不但影响了中国电影创作，也在中国观众心中播下了现实主义、浪漫主义的审美种子。但中国观众对经历了一系列重大社会变革以后的新俄罗斯电影却相对陌生。时逢2009年中国“俄语年”系列活动，俄罗斯影展又来到北京、上海，将于6月26日至7月5日上映8部新片。
中国的“百花金鸡电影节”受冷落的真实原因，并非是与国外电影节相比有什么“器质性病变”。刚刚结束的香港电影节和亚洲电影大奖颁奖活动，要不是媒体的报道，几乎无人知晓。电影，这个人类工业时代的媒介、产品、娱乐和艺术，终于在信息时代，彻底祛除了人们附加在它身上的鬼魅。
阐释本身必须在人类意识的一种历史观中来加以评估。在某些文化语境中，阐释是一种解放的行为。它是改写和重估死去的过去的一种手段，是从死去的过去逃脱的一种手段。在另一些文化语境中，它是反动的、荒谬的、怯懦的和僵化的。——苏珊．桑塔格 （《反对阐释》）