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The vibrato of nature as expressed in bird forms.
Th Role of Organicism in the Original and Revised Versions of Brahms's Piano Trio in B Major, Op. 8, Mvt. I: A Comparison by Means of Grundgestalt Analysis
Organism in the Original Revised Versions Brahms Piano Trio B Major, Op. 8, Mvt. I Means of Grundgestalt Analysis
2014/10/20
Johannes Brahms’s revision of the B Major Piano Trio, Op. 8, hereafter referred to as the Piano Trio, presents a unique analytical opportunity. By allowing two versions to coexist, Brahms not only gav...
A History of Opera in Boston
Opera Boston
2014/10/20
This thesis examines the cultural context of opera in Boston between the years 1620 to 2010. Specifically, I look at how the Boston Opera Company was founded, its existence, and its ultimate demise. T...
Ficino's Musica Humana: Musico-Astrological Improvisation
Ficino's Musica Humana Musico-Astrological Improvisation
2014/10/20
The improvvisatore tradition in Florence Italy during the second half of the quattrocento featured poet-musicians who sang poetry for music (poesia per musica) accompanied by the lira (da braccio). Th...
The goal of the thesis is to explain intonation perception and cognition, as well as the vocal mechanism and techniques, to help aural-skills instructors teach vocal intonation skills to students who ...
THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES
THE PRELUDES BACH’S UNACCOMPANIED CELLO SUITES
2014/10/20
This thesis proposes a methodology for understanding the form of a Baroque prelude, particularly the preludes to the Six Suites for Unaccompanied Violoncello written by Johann Sebastian Bach. Four mus...
Th affctive properties of keys in instrumental music from the late nineteenth and early twentieth centuries
keys in instrumental music the late nineteenth early twentieth centuries
2014/10/20
The concept of affective properties of keys is based on the assertion that different tonalities are able to provide particular moods to music. Discussions regarding the existence and validity of this ...
"A Music Unquestionably Italian in Idiom": Nationalism as an Evolutionary Process in the Music of Alfredo Casella
A Music Unquestionably Italian in Idiom Nationalism an Evolutionary Process the Music of Alfredo Casella
2014/10/20
Little scholarship exists about the extent of musical nationalism in the works of twentieth-century Italian composer Alfredo Casella (1883-1947). Casella’s output, which is divided into three stylisti...
Memory and Production of Standard Frequencies in College-Level Musicians
Memory and Production Standard Frequencies College-Level Musicians
2014/10/20
This thesis examines the nature of long-term absolute pitch memory—an ability traditionally assumed to belong only to absolute pitch (AP) possessors—by testing for evidence of this memory for “standar...
A Hierarchical Approach to the Analysis of Intermediary Structures Within the Modifid Contour Reduction Algorithm
A Hierarchical Approach Intermediary Structures the Modified Contour Reduction Algorithm
2014/10/20
Robert Morris’s (1993) Contour-Reduction Algorithm—later modified by Rob Schultz (2008) and hereafter referred to as the Modified Contour Reduction Algorithm (MCRA)—recursively prunes a contour down t...
FRANZ LISZT'S SETTINGS OF “WAS LIEBE SEI?”: A SCHENKERIAN PERSPECTIVE
FRANZ LISZT'S SETTINGS WAS LIEBE SEI? A SCHENKERIAN PERSPECTIVE
2014/10/20
Several scholars of Franz Liszt’s music have recognized the revisions of previous works as a central part of his creative output. These revisions have caused considerable debate over how they should b...
Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...