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Venerable Style, Form, and the Avant-Garde in Mozart’s Minor Key Piano Sonatas K. 310 and K. 457: Topic and Structure
Venerable Style From the Avant-Garde Mozart’s Minor Key Piano Sonatas K. 310 and K. 457 Topic and Structure
2014/10/20
Although the topoi and elements of what has been described as the “Venerable Style” (V.S.) are found in many places in Mozart’s solo keyboard sonatas, the obsessive juxtaposition of these elements aga...
Review of William E. Caplin, Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
analysis classical style Schoenberg Ratz Formenlehre
2010/3/29
Reviving the Formenlehre tradition as taught by Arnold Schoenberg and Erwin Ratz, Caplin attempts to accommodate the method to a specific but stylistically complex repertory: instrumental works of Hay...
Mozart Effect in Musical Fit? A Commentary on Yeoh & North
musical fit priming arousal-mood Mozart effect
2010/9/26
Musical fit, the congruence between music and product leading to
improved response, is presented as an explanation of differences in recall of food items
from two cultures. Musical fit predicts that...
《Mozart:The Man and the Artist,as revealed in his own words》（图）
Mozart:The Man and the Artist, as revealed in his own words Kerst and Krehbiel
2009/7/3
This German composer was not only a musical genius, but was also one of the pre-eminent geniuses of the Western world. He defined in his music a system of musical thought and an entire state of mind t...
Excerpt
eatern und Konzerten, von Verlegern und Schülern einging, zusamt der kaiserlichen Pension, genügte um so weniger, da der Geschmack des Publikums noch weit davon entfernt war, sich entschiede...
《Gedenkrede auf Wolfgang Amade Mozart》（图）
Gedenkrede auf Wolfgang Amade Mozart Richard Beer-Hofmann
2009/7/3
Excerpt
Bergen rinnt ein Wasser zu tiefen Tälern hinab. Einem Gletschersee entstürzt es, wildstürmende Wasser aus seitlichen Tälern werfen sich ihm zu, und in Sturz und Fall, von Talstufe ...
Coaching Mozart’s String Quintet in E-Flat Major: Finding the Rhythmic Shape
Analysis and performance rhythm hypermeter Schenker string quintet Mozart
2010/3/24
In this paper I explore the use of rhythmic analysis in relation to performance decisions for a coaching of Mozart’s String Quintet in E-Flat Major, K. 614, first movement. The analysis proposes a “ba...
The relevance of Edward Said’s theory of Orientalism to Mozart’s Die Entführung aus dem Serail
Orientalism Mozart Edward Said
2008/10/27
Owing to the large number of issues touched upon in Edward Said’s Orientalism, I have chosen to focus on three key aspects of his thesis: Imperialism, Identity and Orientalist study, before discussing...
莫扎特Wolfgang Amadeus Mozart，奥地利作曲家。生于萨尔茨堡。自幼从父亲学习音乐，4岁便公开演奏古钢琴，5岁开始作曲，有神童之称。1781年定居维也纳，成为欧洲第一位自由职业的音乐家。他是维也纳古典乐派的代表之一，大量的作品涉及各种体裁，其音乐博采德、奥、意、法诸国精华，风格典雅，感情真挚，朝气明快。后期的作品，内容和形式完美统一。他的最后3首交响乐作品（第39--41）是莫扎...
Pinchas Zukerman leads NAC Orchestra in all-Mozart program featuring Hubbard Street Dance Chicago, Feb. 28 and March 1
Orchestra music dance
2007/3/1
February 22, 2007，Ottawa (Canada) -- The vivacious rhythms of Mozart are combined with vibrant movement when Pinchas Zukerman leads the National Arts Centre Orchestra in an all-Mozart programme featur...