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“Plays of Opposing Motion”: Contra-Structural Melodic Impulses in Voice-leading Analysis
Schenker Kurth energetics melodic analysis
2010/3/24
Rameau’s privileging of harmony over melody may be set against the pendulum swing of Kurth’s pure melodic energy. Although Schenker’s theory clearly identifies linear motion as governed by harmony, Sc...
Commentary on William Thomson's "Pitch Frames as Melodic Archetypes"
perception tonality modality melody harmony pitch space temporal
2010/9/26
While the concept of the perceptual “pitch frame” resembles leading
theories of pitch structure in music in some respects, it contains some innovative
elements that are discussed in this commentary....
Pitch Frames as Melodic Archetypes
perception melody melodic harmony tonality form structure
2010/9/26
In our history we have recognized scales of some variety as keystones to
music’s pitch structure. And yet, empirical studies of perception and archeological
appraisals of human evolution confirm an ...
Review of W.B. Hewlett & E. Selfridge-Field, eds., Melodic Similarity: Concepts, Procedures, and Applications
melody analysis similarity
2010/3/29
[1] Volume 11 of Computing in Musicology comprises 13 contributions by 18 authors. While the spectrum of topics is broad, reaching from melodic similarity in music-copyright infringement suits (C. Cro...